Temporary studio package
LED, playback, processing, cameras, lighting and technical operation for a shoot, campaign, season or defined production window. The system is installed, tested, operated as contracted and removed afterward.
Virtual production studio rental & turnkey installation · Miami
Rent the set.
Or own the studio.
Temporary LED environments for a shoot—or permanent broadcast and virtual production studios designed, supplied, installed, commissioned and handed over ready to operate.
GLMedia can provide the system as a rental, sell a complete installation or build in phases around the client's room, workflow, team and budget.
Three commercial models
Use it for the shoot. Or build it for the next hundred.
The creative workflow may be similar, but ownership, installation and support are different. GLMedia defines the commercial model before assigning equipment and responsibilities.
Turnkey permanent studio
Workflow design, equipment specification and sale, installation, configuration, calibration and end-to-end commissioning at the client's facility. The system is delivered against an agreed acceptance checklist.
Own the core. Rent the expansion.
The client owns the everyday cameras, control and display infrastructure while GLMedia provides temporary LED area, specialty processing, extra cameras or crew when a larger production requires it.
A practical alternative to location changes
More looks from one controlled environment.
An LED virtual set can place talent inside branded graphics, architectural spaces, landscapes, product worlds or abstract motion while the production remains in one controlled room. The background is visible to the camera and can also contribute interactive light and reflections to the subject.
The result depends on the entire image chain: content resolution, LED pixel pitch, refresh rate, processor settings, camera shutter, frame rate, lenses, distance, lighting and playback must be planned together.
Music videos
Fast visual changes, performance environments and synchronized playback.
Commercials
Product worlds, controlled reflections, branded backgrounds and repeatable takes.
Broadcast segments
News-style desks, sports analysis, interviews, intros and program inserts.
Corporate content
Executive communications, training, product launches and virtual stages.
Streaming
Live or recorded programs with cameras, switching, monitoring and graphics.
Photography
Dynamic backdrops and controllable looks for products, talent and campaigns.
Agencies & producers
A defined LED and video partner integrated behind the production team.
Pilots & tests
Proof-of-concept environments before committing to a larger production.
Three different production levels
“Virtual production” does not mean one single system.
We identify the correct level first. That prevents a simple playback job from being overbuilt and a camera-tracked scene from being sold without the systems it actually needs.
Playback-based LED set
Pre-rendered motion, stills or branded content displayed behind talent. Camera-ready LED, playback and processing are synchronized, but the background does not need to change with camera movement.
Walls and walkable LED floor
Two or more LED planes share mapped content to surround the subject with image. Perspective is designed for the planned camera angles and performance area.
Camera-tracked in-camera VFX
When perspective must respond to camera movement, the project requires compatible tracking, a real-time render engine, content prepared for that workflow and qualified virtual-production operators. These elements are quoted only when confirmed.
Green-screen virtual set workflow
Lighting, cameras, keying, monitoring and post-production interfaces can be planned for chroma-key projects. Studio space, virtual assets, live keying and post are defined as separate deliverables.
Documented GLMedia work
409 sq ft of LED around the subject.
A documented Miramar shoot combined two Unilumin URMIII P2.6 LED walls with a walkable Unilumin UDF P5.2 LED floor, studio lighting and multi-camera capture. Approximately 409 sq ft (38 m²) of image was mapped across three planes.
The camera package documented for that production included Sony FX30, Sony FX9 and Panasonic PTZ cameras. The published case identifies the exact technical scope rather than presenting a stock virtual-set catalog.
What a quoted set can include
One image chain. Clearly assigned.
LED surfaces
Flat, curved or multi-plane Unilumin walls and walkable LED floors, sized for the composition, camera distance and movement area.
Content canvas
Pixel map, aspect ratio, safe areas, deliverable specifications, content tests and playback format for each LED surface.
Video processing
NovaStar processing, signal distribution, mapping, scaling, synchronization and project-specific redundancy.
Playback
Disguise, Resolume and other approved playback workflows selected according to output count, resolution, cueing and show-control needs.
Cameras & switching
Sony, Canon PTZ, Blackmagic ATEM, OSEE, vMix, recording, multiview and monitoring allocated according to the approved project.
Lighting & crew
Studio lighting, technical operation, system alignment, rehearsals and crew roles coordinated around the camera plan.
What must be defined before the quote
Creative ambition translated into technical requirements.
A scene reference is a starting point—not a technical specification. GLMedia confirms what is live, pre-rendered, tracked, composited or finished in post before assigning equipment and responsibility.
Creative and content
References, scene list, aspect ratio, final framing, content provider, playback files, color pipeline, licensing, branding and who approves the image.
Camera and performance
Camera count, lenses, frame rate, shutter, movement, tracking needs, talent positions, floor use, sound recording and whether the set must work from several angles.
Space and schedule
Studio or location, dimensions, access, power, HVAC, ambient light, floor loading, rigging, build time, rehearsal, shoot length and strike window.
Deliverables and responsibility
Live program, isolated records, edited master, streaming destinations, post-production, virtual assets, real-time rendering, specialty operators and backup requirements.
A production-ready sequence
Plan the camera before building the wall.
The most efficient set begins with the intended shot and final deliverable. LED dimensions and content are then designed around what the camera must see.
Creative review
References, story, shots, talent, backgrounds and final destinations.
Technical design
LED geometry, camera angles, pixel map, processing, playback, lighting, power and responsibilities.
Build & test
Installation, alignment, content checks, camera tests, color, moiré, exposure and rehearsal.
Shoot & handoff
Technical operation, cueing, recording, media verification, strike and agreed deliverables.
Frequently asked questions
What producers should confirm before booking or building a virtual studio.
Does every LED virtual production set require camera tracking?
No. Many productions use camera-ready LED backgrounds with pre-rendered video, stills or mapped content and do not require camera tracking. Camera-tracked real-time environments are a different workflow and require compatible tracking, render systems, content and qualified operators. GLMedia confirms which level is included before quoting.
Can GLMedia build a set with LED walls and a walkable LED floor?
Yes. GLMedia has documented a Miramar production environment using two Unilumin LED walls and a walkable Unilumin LED floor, with mapped content, studio lighting and multi-camera capture. The geometry, load, access, power and content workflow are engineered for each project.
What content can appear on an LED virtual set?
A set can display branded graphics, architectural environments, landscapes, abstract motion, product worlds, broadcast graphics or custom pre-rendered scenes. Content creation, licensing, playback format and real-time rendering are separate deliverables and must be identified in the proposal.
Can the set be used for music videos, commercials and corporate content?
Yes. LED sets can support music videos, commercials, interviews, product demonstrations, executive communications, news-style segments, sports commentary, social content and streaming. The technical design changes with camera distance, lens choice, sound requirements, talent movement and intended deliverables.
Can GLMedia also coordinate cameras, lighting and recording?
Yes. A contracted scope can include LED, playback, video processing, cameras, switching, lighting, monitoring, recording and technical crew. Audio, specialty cameras, tracking, real-time render systems, studio space and post-production are confirmed by project rather than assumed.
Can GLMedia rent a temporary set or sell and install a permanent studio?
Yes. GLMedia can quote a temporary equipment rental for a shoot, a turnkey permanent studio sold and installed at the client's facility, or a hybrid system that combines a client-owned core with rental expansion. A permanent handoff can include system design, equipment supply, installation, configuration, commissioning, documentation and operator training. Exact ownership, construction interfaces, warranties, support and acceptance tests are defined in the proposal.
Rental, purchase or phased build
Do you need one shoot—or a studio that stays?
Send the room dimensions, intended productions, target launch date, current equipment and preferred commercial model. GLMedia will define the right rental or turnkey integration path.