Chauvet onAir Panel 1 IP
DMX personality and CCT, camera banding, and Hold Last, Stop DMX or Blackout behavior.
Equipment and event preparation
Start with the symptom, follow the signal path and check what changes. These guides cover specific equipment settings and rehearsal checks.
Search by model, symptom or task. Results include the pages currently available in English; equipment references and detailed guides are identified separately.
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J-SUB: standard and INFRA, HCD, amplifier channels and rear-section checks.
Open J-SUB guideDMX personality and CCT, camera banding, and Hold Last, Stop DMX or Blackout behavior.
Input sensitivity, no-sound checks, pass-through outputs and MIX OUT routing.
Amplifier setup, CUT and HFC, ArrayProcessing, alignment with J-SUB and input and delay checks by column.
Output pairs, LoadMatch, calibration references and the limits of loudspeaker monitoring.
LED cabinet mapping, input cropping, layer layout and the difference between input MOSAIC and Image Mosaic.
HDMI signal checks, EDID, lens selection and image framing, including UST restrictions.
Trace input patching to LR and find monitor feeds that bypass input-channel mutes.
Choose the V1.0 or 2.0 programmer, verify saved commands and disable Blank for the correct generation.
Trace camera output through TX and RX, compare HDMI/SDI formats and diagnose blocking or frozen pictures.
Separate RF energy, transmitter link and audio; check encryption sync and analog MIC/LINE output.
Compare stereo channel levels, understand MixMode and lock the panel while keeping volume available.
Check the analog patch, shield continuity, phantom power and channel mapping.
Trace universes and physical ports, then test output and source-loss behavior.
Check the DMX personality, zone mapping and wired or wireless reception.
Patch individual cells and compare the wash filter, glare shield and aiming.
Choose the USB path, control over Ethernet and check SSD quality, remaining time and recorded files.
Keep the external monitor active during QFHD recording and check 25p, PsF and HDMI output formats.
Identify the head revision, balance the complete camera rig and separate drag issues from platform vibration.
Trace USB recognition, physical DMX and Art-Net/sACN output without confusing surface response with fixture reception.
Trace input banks and Card Out separately; identify the DN32-USB mode before recording 32 channels.
Check the two-way active patch, compatible spare amplifier and coupling settings for stage monitors.
Check horn position, T10 PS/Arc/Line setup and shared TOP/SUB cabling.
Trace TOP/SUB contacts, amplifier output modes, SenseDrive and the 100 Hz setting.
Sony FX9 for events: program output formats, overlays and color, plus monitoring and clip playback.
Prepare the AlphaTheta XDJ-AZ for an event: OneLibrary USB exports, MASTER REC files and headphone cue troubleshooting.
Troubleshoot Dante patching, remote head-amp control, scene recall and show-file loading. Check which settings each operation changes before using it during an event.
Resolume help: playback, output setup and related troubleshooting.
Check the model, installed firmware and signal path before changing a setting. The referenced manuals define the scope of each guide. Save the initial configuration, make the comparison during rehearsal and record the result. Proposed checks are not reports of tests performed by GLMedia.
Centro de ayuda técnica en español includes further equipment, signal, camera, audio and lighting topics.
Include the event date, venue, exact model and the problem you need to solve when you contact GLMedia. See our audio services and lighting services for event support.
R1 control via R60/R70, CAN termination and partial detection, 2-Way Active and SenseDrive limits.
Open the D12 guideCoverage, amplifier setup, Line/Arc, CPL and HFC.
Open the guideCUT, TOP and SUB signal paths and tonal balance by audience area.
Open the guidePrepare the RGBW wash, check the patch and distinguish a programmed limit from a fault. This guide covers the COLORado 1 Quad Zoom, not the Quad Zoom VW or another fixture in the family.
COLORado 1 Quad Zoom: DMX setup and zoom troubleshootingTroubleshoot SD9 Audio I/O: a connected rack with no audio, live versus recorded sources, and card conforming before an event.
DiGiCo SD9: Audio I/O, no sound from a rack and card conformingSL-GSUB wiring and placement, standard/INFRA modes and checks when combining it with J8.
d&b SL-GSUB: wiring, INFRA and alignment with J8SD10 MADI connections, monitor returns, missing channels at 96 kHz and clicks in a MADI recording: what to check before changing the patch.
DiGiCo SD10: MADI, Optocore and monitor returnsTroubleshoot missing signals when recording an SD12 through MGB, and check DQ Rack preamp control over Dante.
DiGiCo SD12: MGB recording and DQ Rack controlCheck headset connection and listening, Hub groups and PGM, and USB audio with Zoom. Prepare and test a computer-based path between the intercom and Dante.
Solidcom C1 Pro: connection, groups, Zoom and DanteSet image width and check the floating ring on a Barco R9802300 G lens with a G62 projector. Separate throw-distance limits from scaling and focus problems.
Barco R9802300: throw distance, zoom and focus on a G62Identify the Barco R98017851 UST kit and support for a G62. Check back focus and image focus during installation, separately from operation with the lens secured.
Barco R98017851 UST: support, LSM and focus on a G62Troubleshoot the optical link and missing outputs on a NovaStar CVT4K. Identify S/M, fiber, ports and indicators before changing the LED map.
NovaStar CVT4K: optical link and missing LED outputCheck matching video standards, multiview source assignments and the HDMI/SDI selection for Input 1 on an ATEM 2 M/E Production Studio 4K.
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