Video, LED, projection and conferences
Browse video, LED display, projection or camera references, or choose a guide for presentations, recording and live streaming. Use these references to prepare your event and ask GLMedia about a suitable configuration. We confirm availability and the proposed scope for your request.
Equipment
- Absen PL2.5 Pro 1/20: V10, V2, NovaStar and Brompton
- Aquilon RS4: screens, resources, EDID and multiview
- ATEM 2 M/E Constellation 4K: routing, audio, and control
- ATEM 4 M/E Constellation 4K: program, multiview and audio
- ATEM 4 M/E Constellation IP Plus: prepare 64 sources and destinations
- ATEM 4 M/E Constellation IP: sources, control, and destinations
- ATEM SDI Pro ISO: HD switching, recording and multiview
- ATEM Television Studio 4K8: program, AUX, and recording
- ATEM Television Studio HD8 ISO: switching and recording
- Atomos Ninja RAW: HDMI, media, and camera control
- Atomos Ninja TX: SDI, HDMI, media, and synchronization
- Barco E2: inputs, destinations, and show backup
- Barco Encore3: sources, screens, and resources
- Barco G62-W9: brightness, HDMI signal, and lens selection
- BenQ LU935ST: short throw, framing, and connection
- Blackmagic Design ATEM Mini Pro with stand and monitor
- Blackmagic SDI Expander 8x12G: convert SDI and IP both ways
- Blackmagic StudioBridge 100G: cameras and redundant networking
- BrightSign HD223: setup, storage and status LEDs
- BrightSign XT1144: HDMI input, output and power
- Brompton Tessera S8: signal, capacity and redundancy
- Brompton Tessera SX40: video input, XD distribution and canvas
- Canon CR-N300: HDMI, SDI, USB and IP control
- Canon CR-N700: outputs, audio, and PTZ control
- DaVinci Resolve 21: prepare media, review, and delivery
- DaVinci Resolve Replay Editor: prepare control and replay output
- DaVinci Resolve Speed Editor: connection and editing preparation
- Disguise d3 2x4pro: 4K output, capture limits and signal checks
- Disguise GX 2C: VFC outputs, live inputs and playback checks
- Disguise vx 2: VFC outputs, SDI inputs and latency
- Dual DSMs: slides, notes and independent destinations
- Epson BrightLink 770Fi: projection and interaction
- Epson PowerLite 1795F: placement, signal, and readability
- Epson PowerLite L790U: signal, AirPlay, and monitor output
- HyperDeck ISO Recorder 100G: IP video and network recording
- HyperDeck Studio 4K Pro: input, codec, and recording
- HyperDeck Studio HD Plus: input, codec, and recording
- Ikan Aura PT421W-PTZ: script, camera, and variants
- Ikan PT1200: signal, mirroring, and reading
- Ikan PT17-T: signal, flipping, and tally
- Megapixel HELIOS: inputs, mapping and troubleshooting
- NovaStar - VX1000
- NovaStar MCTRL4K: inputs, port capacity and LED mapping
- NovaStar MCTRL660: signal, EDID and LED setup
- NovaStar MX40 Pro: VMP, capacity and LED setup
- Optoma EH501: placement, signal, and 3D projection
- Panasonic AK-UC4000: CCU, formats and color
- Panasonic AW-HE130: HD video, control and PoE+
- Panasonic AW-UE150: control, video and power
- Panasonic AW-UE160: signals, control and LED backdrops
- PerfectCue Mini: cues, USB and backup control
- PIXERA four GEN2: outputs, options, and preparation
- ROE Black Pearl BP2 V2: mapping, power and camera checks
- ROE Carbon CB5: panel variants, signal path and Air Frame
- ROE Carbon CB8: pixel map, panel variants and T4 frame
- Roland V-160HD: sources, USB, and graphics
- Sachtler Ace XL 75 mm — 1018MS
- Sony BRC-AM7: zoom, control, and tracking
- Sony FR7: lens, control, and auto framing
- Sony FX9
- Sony HXC-FB80: HD camera, CCU and video outputs
- Stage timing: counting, cues and the speaker’s display
- URSA Broadcast G2: lenses, recording and SDI output
- Video Assist 7-inch 12G HDR: signal, media, and recording
- Videohub 40x40 12G: sources, destinations, and formats
Planning and troubleshooting guides
- 1.5 mm LED totem rental options
- 1.9 mm LED totem rental options
- 2110/100G infrastructure: checks before selection
- A complete projection system
- AJA C10DA: distributing reference and checking termination and gain
- AJA FS2: video format and reference, audio routing and timecode testing
- AJA FS4: timecode during conversion and AES audio from multiple HD feeds
- AJA GEN10: rack reference, formats and checks with FS4
- ALR screens and UST projectors
- ATEM 2 M/E Production Studio 4K: missing inputs and Black multiview windows
- AV-HS410: input frame sync, reference and video delay
- Basic projector setup, step by step
- Calculate distance and choose a lens
- Camera HDMI: output format, converters and operator monitor
- Camera switching and multiscreen presentations
- Camera teleprompter or presidential teleprompter?
- Canon C400: checking genlock, reference output and timecode
- Choosing a projector for a conference
- Choosing an LED screen for your event space
- Conference video: LED screens, recording and streaming at one event
- DeckLink 8K Pro: Sync Outputs across cards and TouchDesigner output profiles
- DeckLink Duo 2: four SDI captures and ISO files in vMix
- Disguise and LED: trace content to the screen
- Disguise media files: availability, versions and proxies
- Dropped frames and Media Offline: checking capture, GH6 files and playback
- DSM: current slide, next slide, notes, and timer
- Event cameras: framing, lenses and operation
- Event live streaming: preparation, testing and operation
- Event recording: program, ISO, audio and delivery
- Front and rear projection
- GH6: .mdt files that will not open and checking repaired video
- GH6: card-speed recording stops and dual-slot backup
- HDMI to SDI with MD-HX and MD-LX: format, scaling and output routing
- How to deliver event recordings to a client or editor
- Lamp and laser projectors
- Mesh LED screen rental options for events
- Mini Converter SDI to HDMI 6G: send an audio pair to a mixing console
- Multicamera recording by session: planning coverage and checking files
- No signal, cropped, blurry, or washed-out image
- Panasonic GH6 with SSD: power, heat and event recording files
- Planning a complete PTZ camera setup
- Planning presentations and multicamera production
- Portable and folding-frame screens
- Premiere multicamera: synchronize takes and preserve separate audio
- Premiere proxies: link originals, check audio, and hand off to an editor
- Premiere to Pro Tools AAF: separate voices, media and audio handles
- Presentation computer and backup: preparing the changeover
- Presentations for panoramic LED screens: requesting and reviewing files
- Program, ISO, and independent recording copies
- PTZOptics Gen 2: tracing SDI video, 3G converters and firmware
- Resolve: exporting clips with the right frame rate, effects and audio
- Resolve: interlaced delivery, field order, titles and scaling
- Resolve: washed-out blacks and color changes during playback
- Screen size and readability
- SDI to Audio 4K: analog and AES groups for a console or CLARITY M
- Sony VENICE MPC-3610: reference by firmware version and filmed-screen tests
- Standard, short, and ultra-short throw
- TouchDesigner Video Device In TOP: capture synchronization and troubleshooting
- TouchDesigner: GPU output, Video Device Out and Sync II reference
- Transparent LED screen rental options
- Two screens and presentation control
- Video and interactive LED floor rental options
- Video delivery: editing, review, and formats
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